There’s somebody on Tumblr who pointed out that usually whenever redheads show up in fiction, they’re almost always somebody else’s idea of them (especially if these authors don’t have red hair themselves). They don’t necessarily nor fully have the lived experiences of most redheads, since many of them have a mutation that pairs red hair with not only paler skin, but also freckles and higher sensitivity to pain. So with the average redhead, they get blotchy skin whenever they get strong emotions of any sort, or among other things. The fact that the average fictional redhead doesn’t have these experiences means they’re essentially blonds and brunets with (dyed) red hair, so they inevitably reflect an outsider’s view of redheadedness.
So inevitably the way characters based around other things reflect someone else’s view of such things, in the case with Latin American characters like Fire in DC Comics they often reflect North American views of South Americans. They’re not necessarily how Brazilians actually see themselves as, to the point where if you want a Brazilian view of Brazil and Brazilians themselves consume Brazilian media instead. Something like Turma da Monica and the like, very much how Brazilians perceive themselves to be and live their lives. Or logically her best friend Ice but in the opposite direction regarding how Americans perceive Norwegians to be, which isn’t always how Norwegians perceive themselves to be and live their lives just the same.
This could explain why despite DC’s penchant for alternate universe stories as seen with Imaginary Stories and Elseworlds, not a single DC writer has ever come up with both a Scandinavian Fire and a South American Ice, in light of how and why a Scandinavian country like Iceland has a lot of volcanoes and a South American country like Chile has a plethora of glaciers. This is very much a combination of presumptions about these cultures and countries as well as ignorance about them in some manner, that leads to stereotypical characters as with the way Fire and Ice are presented. Or for another matter, Marvel when it comes to the paucity of an Icelandic character with a volcanic ability.
Especially since it has at least two characters with this skill and both of them are women (Magma and Volcana), it’s pretty odd why neither publisher condones the existence of an Icelandic character with this ability, despite the fact that Iceland has a lot of volcanoes itself. But it still ties into stereotypes about Scandinavians, especially Norwegians regarding how one character (Pieter Cross) kind of manipulates darkness in some manner, tying into Norway’s long wintry nights and Ice manipulating the cold herself. It’s not that Norway’s neither of those things, but similar things could be said of Chile as well.
Nights get longer and colder every June, July and August there, but it’s easier to think of those as having nearly unlimited sunshine and heat instead. Whilst this would be true for say Mexico and Brazil, it’s not the same with Chile since it’s really close to Antarctica. But such portrayals still ties into American preconceptions about certain ethnicities and nationalities, they’re not how Chileans, Mexicans and Brazilians actually see themselves as, or for another matter Norwegians regarding the same. Similar things can be said about the way African countries are portrayed, with very few DC and Marvel characters coming from real African nations.
Fewer still are well-known to the public in any way, with Storm being practically alone in the entire Marvel canon, since she comes from Kenya herself. The Nigerian Tempest/Temper could count, but she’s neither famous nor popular. One would wonder why given DC and Marvel’s habit of retconning or altering a character’s backstory, nobody bothered retroactively turning Vixen into a Zimbabwean or Black Panther into a Cameroonian. You could actually go to Yaounde and Bamenda, if you’re willing to take the extra mile going there at all. There are even radio stations and websites in Cameroon, or any other African country like Ghana and Kenya.
You could livestream stuff from Ghana and Uganda by the way, it’s not that hard but it’s not hard to see how and why western media and especially American media reinforces views of certain demographics, that eventually gets inculcated onto other people. If African diaspora communities in Britain were to seek further representation, they’d have to seek African American media a lot. Or for another matter, Asian diaspora communities in both Britain and France regarding the same. The way American publications portray certain ethnicities and nationalities kind of inculcates and popularises ideas of these peoples and cultures, that it’s practically evident with even a handful of characters.
Until recently the character of Rose Wilson (who’s a Cambodian American of Hmong descent) was shown to be portrayed as rather white-passing, not helped by her own name though it turned out to be an alias all along but her mother’s portrayed as having a stronger East Asian appearance. Also her own background seems to tie into the Cambodian Genocide at the time as well as its consequences, but it’s also brought up by America’s own interventionist attitude to Cambodia beforehand as a way to beat communist North Vietnam. Regardless which part of the former Indochina she came from, she’s very much a byproduct of American interventionism there as with Marvel’s Karma.
It should be noted that sometime in the past, both DC and Marvel seemed to be in the habit of introducing somewhat antagonistic communists in the form of KGBeast, Natalia Romanova and possibly a few others, but with Natalia having become good once she joins the all-American Avengers. Because she often hangs out a lot in America that she’s only good if she assimilates into capitalist American society, same goes for fellow Russians Peter Rasputin and his sister Illyana. Or for another matter, Karma since Vietnam’s a socialist country. It’s not hard to see how and why DC and Marvel writers seem to insinuate that socialist characters only become good if they hang out a lot in capitalist America.
Which implies that socialism is deeply antithetical to American culture, whereas Beatriz’s Brazilianness is used to communicate her distance from anglophone American norms. Characters like Vixen and Bwana Beast exist to convey American ideas about exotic black people, but this insinuates that black Africans are practically contrary to the prototypical black person in the America, who’s more often than not African American. The fact that these two come from made-up African nations only furthers the view of black Africans as exotic black people, one would wonder why nobody bothered retconning Vixen into a Zimbabwean given DC and Marvel writers change the characters’ backstories all the time.
Storm is pretty much the best known example of an exotic black character in the US cartooning canon, the way she’s written (especially by Chris Claremont) is used to communicate certain ideas about Africanness. That Claremont never found black people particularly relatable could explain why she’s written the way she is while he was at it, a black woman whose ways are so strange that she has to assimilate into American society in order to not weird out people. I even felt some of the issues with the way Storm’s written isn’t just to do with America’s vexed attitude to black women, but also more specifically reveals the American tendency to see black Africans as exotic black people.
Especially when the protypical black people in the American mind tend to be African Americans, and it’s been this way for a long time there. The way these characters are portrayed reflect American ideas about their peoples, cultures and nationalities, how they intersect with American history at various points or another (Karma came from wartorn Vietnam, both Sweet Lili and Rose come from wartorn Cambodia) and so on. America had something of a good neighbour policy towards Brazil, but if characters like Beatriz da Costa and Roberto da Costa are any indication, Latin America might as well be home to unlimited sunshine and warmth. There’s never been a Chilean character in both the DC and Marvel canons who manipulates ice themselves.
If characters like Pieter Cross and Ice insinuate that Norway gets cold and dark, but I suspect that even if it were true, there’s never been an Icelandic character who manipulates volcanism. The closest would be the Swedish Sunburst, who manipulates fire and is from the Wildstorm canon. It’s a missed opportunity as Iceland actually has a plethora of volcanoes, but no such character exists in the DC and Marvel stories. It’s even more telling that Marvel has a number of pyrokinetic Latino characters like Firebird and Inferno, like as if Latinos are so hot-tempered they might as well burst into flames at any point. It really does write itself but in a way that tells you about how gringos see Latin Americans as.
Considering that Firebird is explicitly of Mexican descent, there is a difference between the way Anglo-Americans portray Mexicans as opposed to Mexicans doing their own. This isn’t the case for all characters like Kyle Rayne and possibly Jessica Cruz, but it seems one of the most well-known superheroes in the Mexican comics canon is Kalimán, who’s frankly an Orientalist character to boot who also returned to publication just recently. Whilst he does show that Mexicans are also similarly guilty of Orientalism, yet he’s also very much a byproduct of the Mexican imagination, far moreso than Firebird is to the same and she’s a byproduct of American authors like Bill Mantlo.
He’s very much a product of Latin American imagination in a way most Latino DC and Marvel characters aren’t. But given DC and Marvel’s greater popularity that they’ll always succeed in popularising American ideas about these people, even when it shouldn’t be.