Colin Sallow is a character I created sometime ago but he also came from a dream, he could be seen as the Dio Brando of the story (yellow clothing and knife-throwing antagonist who stops time), even right down to an apparent affinity with birds (Dio has his in Pet Shop Boy). But the rest of his depiction is a grab bag of other influences, including those you’d never expect to be combined in a particular manner. I said many times before that he resembles a younger Liam Howlett, the keyboardist and mastermind of the Essex band The Prodigy. He also exhibits his piano-playing skills, though there’s something else about him that you’d never expect. There’s actually a bit of Ace of Base in him, as in that Gothenburg-based act behind ‘Beautiful Life’ and ‘All That She Wants’, he actually went to the University of Gothenburg himself to study biology (he actually wants to study birds). His classmate there is named Pernilla Berggren, who’s named after the Berggren siblings and one woman that one of the AOB members dated (Ulf Ekberg), who likes cats and slapped him in the face over a remark about cat predation.
All of the Berggren siblings have (had) cats as pets, given Jonas Berggren has a fear of dogs due to a negative childhood experience. Colin Sallow doesn’t seem fond of dogs himself, just like Dio Brando, though it’s explicitly got to do with one dog killing his chickens before. Again there’s a bit of Ace of Base in him, because one AOB member explicitly admitting to not being fond of dogs himself. I remember saying this before that K-Pop musicians and bands never seemed to influence me when it comes to doing fictional characters at all, the way bands like The Prodigy, Ace of Base and Massive Attack do, or increasingly Aqua in some of my poems that’s kind of telling. I did listen to K-Pop bands and musicians before, but weirdly enough I never became really interested in any of them enough to bother archiving any extensive mention of them at all. I even have a habit of archiving old fansites pertaining to bands like Massive Attack, Aqua and Ace of Base, but K-Pop bands and musicians never really strongly interested me much. Not so much out of contempt, as catchy as the music is but they seem contrived and weirdly boring.
I did kind of get into Wonho though not for long and not quite as intense as I would with Aqua to bother archiving any mirrored website mentioning the latter at all, well I could make a character based on an Aqua member and this goes to show you that Wonho doesn’t have much of an influence on me in creating fictions. Let’s say his name is Rene Savard and he’s a raccoon kemonomimi who’s of both Metis and Mikmaq descent, he comes from somewhere in Quebec and had a falling out with his father over his beliefs (he’s a Christian and an aspiring marine biologist to boot), so he goes onboard with a ship to learn marine biology elsewhere and study marine animals wherever he went when he was younger. Mind you he’s based on Rene Dif, the deep-voiced bald member who also had a falling out with his own father enough to leave him for a long time. It doesn’t seem obvious because Mr Savard is a Canadian man of Metis and Mikmaq descent, but it’s there in some other way if you know something about Aqua yourself. Aqua isn’t really that obscure and so is Ace of Base.
But both bands are mentioned far less often on Fanlore and related media, that finding surviving websites in any form would be a massive endeavour in and of itself. There’s a good deal of Ace of Base in Colin himself, he got educated in Sweden for a time being. More specifically in Gothenburg, where Ace of Base came from. Okay I’m pretty much repeating myself but getting influenced by Ace of Base enough to do fictions of some sort, whether if this involves studying Indonesian only to mention AOB members there every now and then, does say something about the state of transformational fandom. One that seems strangely more biased towards men than to women that even when you have a band that’s usually not this demeaning to women whenever women members are frequently present at all (the Berggren sisters anybody?), Ace of Base never inspired this much fanfiction relative to the Backstreet Boys that it seems to lean towards an odd sort of feminism.
Though it’s true neither Aqua nor the Prodigy are any better with their own blunders (Barbie Girl and Smack My B Up), it’s still very odd. A sort of feminism that both rejects misogyny yet reinforces it in some way by excluding any band with a female member (and sometimes more than one female member) around, that feels kind of confusing for a community that calls itself highly feminist. Especially if these bands in question aren’t usually demeaning to or objectify women in any way, let alone if they have multiple female members around, that it kind of reinforces music industry misogyny in a different manner. Creating characters based on actual Ace of Base members in some way or another isn’t really hard, just as it’s not hard to create characters based on their Aqua or even Prodigy counterparts. If Liam Howlett is the basis for Colin Sallow, then Maxim Reality is the basis for Fabrice Tientcheu. Yep, another cat lover but one who is a Cameroonian forensic scientist to boot.
Then both Ulf Ekberg’s girlfriend and the Berggren siblings are the basis for Pernilla Berggren, that’s why she’s a biologist who specialises in cats (both housecats and their relatives) who studied at the University of Gothenburg with Colin before. It’s far from impossible and although Ace of Base fanworks do exist, they’re surprisingly rather rare compared to what happens to Backstreet Boys that lends itself to a kind of Schrodinger’s misogyny. It’s not that hard to put a bit of Ace of Base in him, despite being ostensibly based on a Prodigy member, that goes to you show it’s really not that hard to be influenced by Ace of Base, the Prodigy and Aqua enough to create fictional characters based on them in some way or another. Actually it’s also not that hard to be influenced by Massive Attack either and enough to create fictional characters based on their members just the same, since the economist Gaetano Saturni’s based on Robert del Naja and the lawyer Babatunde Osofisan’s based on Grant Marshall.
It’s not that hard really, even Araki Hirohiko’s no stranger to naming some of his characters after Sananda Maitreya/Terrence Trent D’Arby, Enya, Mariah Carey, Lisa Velez, Ronnie James Dio, Michel Polnareff, Paula Abdul, Vanilla Ice and Chaka Khan, so in a sense he did base his own characters after some of the musicians he listens to or listened to at some point in his life. So logically it wouldn’t be hard basing characters after members from the Prodigy, Ace of Base, Aqua and Massive Attack, just as one would with say the Backstreet Boys, One Direction and Nsync. But I feel a good number of professional writers alive today have cut their teeth on doing Backstreet Boys, One Direction and Nsync fanfic that their own professionally published stories contain some holdovers from their authors’ fanfiction pasts, fanworks based on the Prodigy and Ace of Base certainly do exist as I’ve seen some about the former and a little bit about the latter. They’re definitely not nonexistent, but transformational fandom remains heavily biased towards boy bands.
Not even generally non-misogynistic mixed-gender bands like Ace of Base figure that much in transformational fandom, which makes for a really odd exclusion in the annals of transformational fandom history. Like of all the bands they go after given transformational fandom’s pro-woman stance, they ignore bands like Ace of Base who usually don’t do this to their own female members often and don’t demean women much in their own body of work either, unlike Aqua and the Prodigy even by accident in their cases. One could use bands like The Prodigy and Ace of Base as inspiration for their own fictional characters, but at times it seems transformational fandom’s scope is much more limited than it cares to realise. The sky should be the limit but in transformational fandom, when it comes to real world musicians, it’s usually all about all-male rock bands or boy bands. So again transformational fandom’s scope is more limited in this regard, where bands that don’t degrade women whenever female members are often around are strangely sidelined.
It’s not hard basing characters after members of Lisa Lisa and Cult Jam if Jojo’s Lisa Lisa is any indication, or for another matter basing characters off of Enya and Mariah Carey that goes to show you something about finding inspiration in these people and bands. Even if something like Jojo is not above reproach at times, basing non-misogynistic female characters after actual female musicians isn’t hard. If you could name one’s mother and mentor after Lisa Velez, then basing a character after Ace of Base members isn’t a stretch either. Basing characters after members of The Prodigy, Massive Attack and Aqua isn’t entirely impossible either, one could make another character based on Ace of Base called Birgitta Ekberg who’s an ecologist specialising in feral rabbits and it’s not that hard either. Mind you feral rabbits are very much a thing in Sweden as well, that there’s always the potential to base such characters after phenomena happening in these situations.
Actually even stray dog predation’s a thing in Sweden as well, something Birgitta Ekberg’s keen on from time to time and Colin himself’s well-aware of in his Gothenburg stay as a foreign exchange student. He said that he’s seen dogs hunt roe deer whenever their own owners aren’t looking, so using this subject matter as inspiration for stories or even discussions said by the characters themselves isn’t hard either. But it does say something about transformational fandom in its approach to storytelling when some of its own members graduate to doing professional fiction at all, that it’s easier to carry over common tics and obsessions found in transformational fandom, than to venture into rarely explored territories like the Prodigy, Ace of Base and even dog predation in Sweden to make new characters, stories and dialogues with those in mind. It’s even suspected that transformational fandom isn’t really that progressive.
So logically transformational fandom isn’t really that transformative, let alone wholly and consistently so, where it’s easier to stick to celebrities that can be easily pigeonholed into common fanfiction stereotypes than to use rather unexpected sources of inspiration to create very different, albeit fictitious, people instead. This is like using Maxim’s likeness (and to some extent his own mannerisms) for a character who’s unmistakably very African, very much into reading books himself, works in a STEM job, enjoys some stargazing and plays some football too, though it could be argued this has been done with some Duran Duran members before when it comes to a book series by Jemiah Jefferson. She had a website that’s billed as Duran Duran for bad kids, but then again Duran Duran is a fairly common obsession in transformational fandom. So something like Ace of Base would be a much unlikelier source of inspiration, given they don’t appear this much in transformational fandom to start with.
Or the Prodigy for another matter, that transformational fandom is usually rather limited in scope. Possibly more limited in scope than it cares to admit and realise, where it’s easier to stick to heartthrob music groups whose members can be easily stereotyped in fanfiction, than to go for such unusual sources of inspiration only to create characters that aren’t or seemingly not that tangentially a lot like the people they’re technically based on. It doesn’t just stop at creating a character that’s essentially a more glamourous version of Liam Howlett, it also means naming two female scientists after Ace of Base members where it shouldn’t be tricky doing something like these. Michel Polnareff doesn’t necessarily have such an elaborate hairstyle for most of the part, but Jean-Pierre Polnareff’s evidently named after him. Ronnie James Dio isn’t blond, but Dio Brando’s based on him anyways.
Both Chaka and Khan are two men named after Chaka Khan, using black musicians as inspiration for characters isn’t impossible either. But I still feel the usual nature of transformational fandom is to gravitate more towards male heartthrob type musicians, which boy bands (both western and Korean) have in spades, instead of even bands that don’t degrade or sexualise women in their body of work much whenever female members are frequently present at all (Ace of Base for instance). That it’s kind of suspected among some folks that transformational fandom isn’t really this progressive, nor is it this open-minded where it would be quite rare to encounter fanworks based around bands like The Damned, Ace of Base again or Aqua. Fanworks based on the Prodigy do exist but it usually manifests as either fanmade remixes or fanart, that it would be kind of odd basing two fictional characters after two members of the same band.
If because for those who were doing fanfictions based on bands like Nsync, Backstreet Boys and One Direction, some of who get professionally published kind of subliminally base these characters after their favourite musicians on some level. Fanart of bands like Love and Rockets and The Damned do exist, though I feel transformational fandom tends to gravitate towards male heartthrob types at most. Not just Duran Duran but also the true boy bands like New Kids On The Block, Backstreet Boys, Nsync, One Direction, BTS, Exo, Monsta X, Stray Kids and TXT, that basing fictional characters after any one of them is far likelier once some fanfiction writers begin writing for a living. Even if Jojo’s Bizarre Adventure is any indication, basing fictional characters off of the likes of Enya, Mariah Carey, Lisa Velez, Sanandra Maitreya and Chaka Khan are already possible, or that Gundam’s Char Aznable is named after Armenian-French singer Charles Aznavour suggests it shouldn’t stop at heartthrob types when seeking musicians as inspiration at all.
Mind you, Ilmar Tuglas is just as based on Kakyoin Noriaki as he is after both Friedebert Tuglas (his namesake) and French songstress Sylvie Vartan (especially in terms of facial features but masculinised), and he works as a financial adviser to people like Graham Knightley (based on Kira Yoshikage) that it shouldn’t really end at heartthrob type musicians when seeking inspiration in music, it could be something like 1960s singers like Sylvie Vartan again. That’s not to say all transformational fandom participants are this narrow-minded, but many of them don’t seem to be the types of people who’d actually gravitate to these kinds of musicians. You’re much likelier to find transformational fan participants going after boy bands than those who listen to Aqua, Ace of Base, The Prodigy, Massive Attack and The Damned, much less the likes of Sylvie Vartan and Charles Aznavour, even though the latter yielded Char Aznable.